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The Six Strings of Sappho

by Maxine Gillon

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1.
Take up your lyre Shine in desire Tongue breaks Take your fill With violets in your lap Perfumed clothes, silver maps Tongue breaks Take your fill Heart strings Lung things Six strings All sing Fire races under skin “Deep sound, Lady sin.” Tongue breaks Take your fill Nectar poured from gold Spangled silver road Tongue breaks Take your fill
2.
Eating, disposing, consuming non-essentials; Phantasmatic needs are becoming detrimental I’m keeping it alive but my body’s not a temple There’s 13 elephants in this yearly rental There’s 46 elephants in this yearly rental There’s 95 elephants in this yearly rental There’s 500 elephants in this yearly rental Close my eyes, Heave and sigh, Stride by stride, A stitch in time. Picket fence, car, green waste and petrol, Bespoke feline, shorthair oriental Living on land stolen and gentile There’s 13 elephants in this yearly rental There’s 46 elephants in this yearly rental There’s 95 elephants in this yearly rental There’s 500 elephants in this yearly rental Close my eyes, Heave and sigh, Stride by stride, Colonial lies. Cirrostratus clouds, crystals fragmental Guilty of four manslaughters accidental Right palm to the ground; convex spherical There’s 13 elephants in this yearly rental There’s 46 elephants in this yearly rental There’s 95 elephants in this yearly rental There’s 500 elephants in this yearly rental Close my eyes, Heave and sigh, Stride by stride, A revolving paradigm.
3.
Membrane, fluid, smoke & paper ghosts Composited pubic mound caught in my throat Careening past an ajar bedroom door, I’ve been here before and I know the score. Quiescence; my soft machinist host She of all is who knows me the most I don’t want any bad blood anymore I’ve been here before and I know the score: The proof is aloof. I understand now how clouds can stay afloat: This is all sea and we’re submerged below. Tessellating light, an ocean floor. I’ve been here before and I know the score: The proof is aloof.

about

"In a distant past, all poetry was sung or tunefully recited, poets were rhapsodes, bards, troubadours; "lyrics" comes from "lyre"."
- Richard F. Thomas

“One of the things I wanted to do with this record was say yes it is adolescent, rock music is adolescent, but like so what? What does that mean? Does it mean it’s bad? Because it’s not, and I can still appreciate things about rock music that are very adolescent but there’s no reason why you shouldn’t have those things in amongst something that’s very literate and intelligent at the same time.”
- Rowland S. Howard

“The Six Strings of Sappho” is the sophomore EP from Sydney Singer-songwriter Maxine Gillon, retaining her signature abrasive sonic textures whilst also adding stylistic nods to key conceptual influences such as proto-punk and the 80’s Australian post-punk boom. It explores a wider scope conceptually than previously, musing on the lineage of poetry and music as a naturally combined entity, one’s place in their environment in a physical, political and spiritual context and in finding solace through singledom.

Written and recorded on the sacred lands of the Gadigal people of the Eora nation, sovereignty never ceded.

credits

released October 15, 2020

Vocals, guitars, organ - Maxine Gillon
Bass - Alex Gallagher
Drums - Lindy Morrison

Recorded and engineered by Tim Shorten at Pleb City Studios
Mixed and mastered by Ruby Burns
Photography by Katherine Rooke

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about

Maxine Gillon Melbourne, Australia

Melbourne-based artist, songwriter & producer Maxine Gillon has made a name for herself with her melodic, absurdist & plaintive songwriting that introjects the energy and literacy of the rich countercultural history of alternative music into a contemporary eclectic form. Across both upbeat pop songs and ballads, there’s no mistaking her signature sound once you hear it. ... more

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